每个人都曾试图在平淡的学习、工作和生活中写一篇文章。写作是培养人的观察、联想、想象、思维和记忆的重要手段。写范文的时候需要注意什么呢？有哪些格式需要注意呢？这里我整理了一些优秀的范文，希望对大家有所帮助，下面我们就来了解一下吧。
承德导游词简短 承德导游词1000字篇一
本日一早晨，我们带上随身物品来到了火车站。历经6个多小时的远程跋涉，颠末巨细26个站点，终于达到了我们的目标地——承德。
达到目标地后，我们抉择先去小布达拉宫游览一番。我们打上车，一起说言笑笑，不知不觉的就到了小布达拉宫，而且尚有免费的导游领路和讲授。让我们分明白很多古代的工作。说小布达拉宫是为了庆贺乾隆天子六十寿辰和皇太后八十寿辰而建筑的。首要特点是藏式构筑。颠末战乱，很多红墙脱落，白墙坍毁，召集各人捐钱重建小布达拉宫。
我们一边听讲授，一边走路。发明有3个大门可以走，导游说左边的门是蓬勃门，右边的门是升官门，中间的是安全门。大大都人都走了安全门，妈妈却走蓬勃门，我迷惑的问妈妈为什么走蓬勃门，妈妈说：“我但愿我们公司的买卖茂盛，财路滔滔，虽然得走蓬勃门了!”“哦，原本是这样呀。”我承诺一声继承向前走。
不久，我们来到了一座寺庙——佛缘，任务讲授员说这里是天子天天都来拜的大佛。接近大佛可觉得家人许愿，沾一点灵气回家。妈妈便为我求了一个佛珠，100元呐，吓死我了!妈妈说这玉珠只是眷念品罢了，要害是我们为重建小布达拉宫添砖加瓦孝顺一点力气。我名顿开，多年往后，重建的小布达拉宫也有我的“功勋”呢!
一起上，固然下着小雨，我们依然兴高采烈。当我们登上小布达拉宫时，发明墙壁上有很多窗户，有些是关闭的，有些是敞开的。导游说：“这是佛常常念佛的处所。佛不能看到人世的花花绿绿，男女老小。这些窗户有些是明窗，有些是盲窗。明窗是向上倾斜45°角，向外只能看到蓝天和白云。盲窗天然是关闭式的，基础看不到表面的。”为了证实导游说的，我们进去一看，公然与导游说的千篇一律。转眼间，导游与我们辞别了，说：“我的事变到此竣事，衷心祝愿各人旅途舒畅!”
就这样，我们在导游的活跃讲授中竣事了小布达拉宫之旅。
承德导游词简短 承德导游词1000字篇二
各位朋友们：
大家好，欢迎大家来承德避暑山庄观光游览。避暑山庄位于承德市区北部，是我国现存最大的古典皇家园林。
避暑山庄是清代康、乾盛世的象征。作为山庄缔造者的康熙、乾隆，都曾六下江南，遍历天下景物之美。在修建避暑山庄时，博采众家之长，融合中国南北园林风格为一体，使避暑山庄成为中国古典园林艺术的总结与升华。我国园林专家们说，整个避暑山庄就是祖国锦绣河山的缩影，这原因与避暑山庄的地形有关。
请各位向右看，远处的山峦上，有一巨大石柱，擎天而立，直插云端。它上粗下细，很像洗衣用的棒槌，我们承德人叫它棒槌山，康熙皇帝赐名“磬锤峰”。修建避暑山庄时，巧借此景，使山庄内外浑然一体，扩大了空间感，创造了新的意境美，这是山庄设计者运用“借景”这一造园艺术的成功典范。一般来承德的人，都要到山上去摸一下棒槌山，因为承德民间流传这样一句话：“摸到棒槌山，能活一百三。”如果大家有兴趣的话，不妨明天上山摸一摸，一定很有意思的。
门前两侧这两个铜狮，威风凛凛。说起这两个铜狮，还有一段动人的传说呢!相传在中国抗日战争时期，日本侵略军侵占了承德并大肆抢劫。有一天一群日本兵发现这两个铜狮子很漂亮，是无价之宝，就想抢走，可是铜狮子太重，他们搬也搬不动，于是就分头去找工具。这一切让护院的老人看在眼里，痛在心上。他想铜狮子是国家的财宝，决不能让日本兵抢走。他灵机一动，立即从村里找来猪血，涂在狮子的眼睛上，等日本兵找到工具回来后发现狮子的眼睛红红的，都哭出了血，个个吓得目瞪口呆，害怕搬动狮子会给他们带来厄运，便慌里慌张地逃走了，这对国宝才得以保留至今。现在这对铜狮成了人们心目中的吉祥物。如果大家想万事如意的话，千万别忘了摸摸它。
今天我们就到这儿，我们下次见，goodbay!
承德导游词简短 承德导游词1000字篇三
good morning, ladies and gentlemen, uncles, aunts, aunts, husbands,brothers, sisters, ladies and sisters. first of all, on behalf of the boss ofthe travel agency and all the landlords, as well as myself and the driver infront of me, i would like to extend my heartfelt greetings to you.
it's said that 500 times of looking back in the past life, only in exchangefor a brush in this life. today, we people from different cities can share a carto spend 3 days and 2 nights together in chengde, which shows the great fatebetween us. it also shows that we didn't do anything else in our last life, andwe turned back.
having said so much, you still don't know me. let me introduce myself. i'mthe tour guide of our 3-day tour in chengde. the moral introduction of my namemakes it easy for you to remember and recognize. you can call me a guide, orwhatever, but don't call a guide. when you call a guide in the scenic area,seven or eight people who turn back don't know who is who.
i know you are very sleepy now, so i'll talk about the itinerary later. letme get to know you first. if you have anything, you can find me. my phone numberis 188605. at the same time, please remember the license plate number to avoidgetting on the wrong bus. what's the name of our group group, in the name of thetail number of the license plate, on the one hand, always remind you of thelicense plate, on the other hand, it's the peak tourist season in , five cars were sent together. i can't tell the group's collectionclearly, so that you can quickly get familiar with the organization.
as we have a long drive, we are expected to arrive in chengde at about 1p.m., so i'd like to make it clear to you first.
1. first of all, our seats are fixed. we will do whatever we sit today inthe next three days. this seat is not arranged by me. it is arranged by thetravel agency according to the order of everyone's registration. the quality ofour group's tourists is relatively good. it's not said that there aredifferences because of the seats. we are front-line tour guides. we often travelin groups. once i met a situation where 30 of 50 people in a car said they werecarsick, but our bus can't drive horizontally. therefore, the travel agencydidn't promise that they would be carsick in front of us when they received theservice, because they were all carsick. so if you want to be the front-linetourists, please register in advance. however, we are at high speed all the way,like this one-and-a-half floor bus, it is the same before and after sitting, andthere will be no carsickness.
2. the luggage reminds you to put the scattered things on the top, and it'sbetter not to put the things in the front two compartments, because the brakingcurve is easy to cause the luggage to fall off, so as to avoid hurting personal valuables with you.
3. parents with children must be optimistic about their babies. don't runaround in the car. we adults are the same. people are not allowed to stand orwalk when the car is running at high speed. don't feel tired. it's ok to rely onit for a while, because the road conditions are changing at any time. i remembera tourist just like i am now resting. as a result, a person with emergency brakeflew directly past. although there is insurance, it's not safe suffer. althoughthe master is good at driving long-distance chengde line, but for the sake ofsafety, we try to do in the seat, armrest down and fasten the seat belt.
4. there will be a stop in the service area in about three hours. you canalso go down for a walk to relieve yourself. if you have a friend who is in ahurry, please remember to tell the guide that we are on the highway, not thatyou can't hold it. we can only stop when you get the service area. withoutspecial circumstances, we normally stop every three hours, so that we can get tothe scenic spot earlier.
5. and then there is the sanitation in the car. first of all, smoking isnot allowed in the car, whether it is running or stationary. then there is noteating melon seeds and other easy to jump, that are all snacks. garbage we putin garbage bags, not enough garbage bags to find guide to ha. remember to takethe garbage down when you get off the car. some perishable food has beensuffocating for a long time. it really smells bad. then there is the food with
dear friends
hello! today we visit pule temple. pule temple, commonly known asyuantingzi, is another royal temple built by emperor qianlong after puningtemple and anyuan temple. it covers an area of 24000 square meters with the eastfacing the west and the central axis facing the summer resort. the first half ofthe architecture of pule temple is the traditional "jialan qitang" style of thehan temple, and the second half is the tibetan form. the main building of thetemple, xuguang pavilion, imitates the praying hall of the temple of heaven inbeijing. the layout of the building is different from that of ordinary temples,which breaks the pattern of traditional temples facing south. in the east, it isadjacent to the chime hammer peak, and in the west, it is opposite to the summerresort. it echoes with the puren temple, anyuan temple, puning temple, xumifushou temple, putuo zongcheng temple, etc. in the eight outer temples, forminga pattern of stars holding the moon and bowing to the summer resort.
(in front of the mountain gate of pule temple)
now we come to the gate of pule temple. there is a pair of stone lions infront of the door. you see how well preserved they are. in the middle of themountain gate, there is a stone plaque inscribed with "pule temple" written byemperor qianlong in han, manchu, mongolian and tibetan languages.
(entering the mountain gate)
the first thing you can see when you enter the mountain gate is the belland drum towers on both sides of the north and the south. its function is thesame as the bell and drum towers of puning temple. i will not repeat ithere.
you see, there is a five room hall with a single eaves on the top of theplatform. under the central eaves is a yunlong plaque written by emperorqianlong. in the center of the hall is maitreya buddha with a big belly. he hasa fat head and a big cheek. he is happy with his eyebrows and smiles. it seemsthat he is welcoming us. on both sides of the cloth bag monk are clay statues ofthe four heavenly kings.
the four heavenly kings, 8.38 meters high, are in sitting position. thoughthey have been living for 200 years, they are still resplendent and magnificent,ranking second to none in the country. behind maitreya buddha stands weituobuddha. weituo is the dharma protector of the buddha and one of the eightgenerals of the southern growth heavenly king, ranking first among the 32generals (each of the four heavenly kings has eight generals). it is said thatwhen sakyamuni buddha came to nirvana, the evil spirits took away the remains ofthe buddha, and weituo chased them in time and tried hard to recapture ore, buddhism regards him as the god to expel evil spirits and protectbuddhism. since the song dynasty, chinese temples have worshipped weituo, knownas weituo bodhisattva. they often stand behind the maitreya buddha statue andface the main hall to protect the dharma and help monks.
(in front of zongyin hall)
when we enter the second courtyard from the tianwang hall, we are presentedwith a hall with seven wide faces and five deep faces, with double eaves andglass tile roofs on xieshan mountain. this is the main building of the temple"zongyin hall". zongyin means that buddhism is the unchanging truth. in thecenter of the main ridge of zongyin hall, there is a yellow glazed tile lamatower, about two meters high. the base of the tower is xumizuo. the tower iscomposed of chenglu pan, xianglun, sun and moon. on both sides of the pagoda areinlaid with eight ornaments for buddha's offering: wheel (dharma wheel), snail(buddha's sound is widely spread), umbrella (protecting all dharma), cover(buddha's power), lotus (not contaminated by worldly customs), vase (virtue isperfect), pisces (freedom and liberation), pan chang (buddhist doctrine runsthrough all the time). in the center of the hall, there are three buddhas: thepharmacist buddha in the oriental glass world, the sakyamuni buddha in thechinese dancing world, and the amitabha buddha in the western paradise. thereare eight wood carved bodhisattvas on the stone xumi seats on both sides of thethree buddhas: manjusri, vajrayana, avalokitesvara and king tibetans in thesouth; puxian, maitreya, void tibetans and removing dirt and obstacles in thenorth. they are called eight bodhisattvas. the eight bodhisattvas are of thesame size. they are all carved in wood and painted in gold.
there are five auxiliary halls on each side of zongyin hall. the nanpeihall is called "huili hall". in the hall, there are statues of buddha, vajrawith horse head, vajra with subduing part and vajra with anger. they are pink,blue, red, three heads and six arms, with human skin on the back and tiger skinskirt around the waist. the backlight behind is a five color flame, which issaid to represent five kinds of "wisdom". the north side hall is "shengyinhall". inside the hall is dedicated to the inner achievement of vajra hand, theouter achievement of vajra hand and the secret achievement of vajra hand. it issaid that these three buddhas are the images of sakyamuni when he preached thesecret dharma, and are the secret incarnations of sakyamuni. so it's also called"secret master".
(shangcheng)
dear friends, we now come to the "city" in the eastern half of pule city is actually a datura entity. mandala is a transliteration of sanskrit,translated as "tan" or "daochang". this is the place where the lamas practice,observe and teach the secret law. in order to prevent the invasion of "demons",the tantric sect of lamaism drew a circle or built a high altar on the practicesite, on which the buddha, bodhisattva or scroll were placed. only in this waycan we get the protection of buddha and bodhisattva and not be disturbed by the"demons".
the city is spanided into three layers: the outer layer is a group of squarehouses. there are doors on all sides. facing the west is the main gate, which isthree rooms wide and one room deep, with a single eaves resting on the top ofthe mountain. there is a qianlong stele built in the gate hall. it is inscribedwith qianlong's stele of pule temple written in manchu, han, mongolian andtibetan languages. the construction of pule temple is not like that of puningtemple and anyuan temple. in view of specific historical events, emperorqianlong felt that there was still a large space to be used from puning templeand anyuan temple to the area of qinghammer peak. in order to make the overallrational layout of the temples around the summer resort, he built this temple."pule" is derived from fan zhongyan's "yueyang tower" in which "the worries ofthe world come first and then the happiness of the world come later". on bothsides of the original square courtyard, it has 72 single-layer gallery room, nolonger exist.
the second floor is a square stone platform with battlements on the brickwall. a stone arch is built in the center of the platform, and there is acorridor between the arch and the gate hall. in the middle of the west arch,there is a stone plaque of "shewei xianxiang" written by emperor qianlong, whichmeans that it is the same as shewei state, showing auspicious scenery. there arestone pedals on both sides of the arch leading to the bottom of the arches on the north and south sides are closed, with buddhist painting axeshanging inside. there is a small hall at the exit of the pedal road from thepedal road to the top of the second floor platform. there are eight lama pagodaswith the same shape and different colors in the middle of the four corners andfour sides of the top. the pagoda is spanided into five colors: yellow, black,purple, green and white. these five colors represent the "five elements" ofland, water, fire, wind and air in lamaism. the five color pagoda symbolizes thefive color land (the land of china's kyushu is five colors), which means thatunder the heaven, is it the king's land. the eight pagodas are spanided intoeight directions and serve as the merit towers of sakyamuni's "eight greatachievements" (buddha, becoming tao, turning the wheel of dharma, manifestingsupernatural powers, benefiting the world, transforming monks, thinkingimmeasurably and entering nirvana). it symbolizes the long-term and stable ruleof the qing dynasty.
the square stone platform on the third floor is surrounded by stonerailings. in the center of the platform is the main building "xuguang pavilion"in the second half of the temple. it means facing the rising sun in the is a round pavilion with double eaves, yellow glazed tiles and a pointedroof. its shape is the same as that of the praying hall of the temple of heavenin beijing. 12 eaves columns and 12 gold columns support the double eaves domein two layers. the square platform and the round roof show the ancient chinesecosmology with a round sky and a round place. the building on the round stonexumi seat in the center of the hall is called "mandala", which is athree-dimensional "mandala" model in china.
the nine palace grid on its base is made of 37 pieces of wood, representing37 kinds of knowledge of sakyamuni. in the middle of the mandala, there is adouble bronze statue of the king buddha of shangle. shangle king buddha, alsoknown as shengle king buddha, is also called "huanxi buddha". it is also named"deqiao" and is one of the original buddhas of tantric practice of c school advocates practicing secret law, that is, practicing through "thedoor of convenience" (yoga) to become a buddha. king buddha of shangle is theincarnation of king buddha holding wheel, representing wisdom. mother buddha(female image) represents meditation. only with "both wisdom and tranquility"and "both meditation and meditation" can one become a buddha. the combination oftwo bodies is like the wings of a bird and the wheels of a car. only in this waycan one become a buddha, which is another form of cultivation in tantricbuddhism.
the top of xuguang pavilion is decorated with exquisite dragon troupe andpearl caisson. the carving is exquisite and glittering, which has high artisticvalue. come
(in the exhibition room of tantric buddhism)
dear friends, now we are in the exhibition room of tantric buddhism. thisis the gate hall on the north side of the city. originally, there were 21 groupsof rooms beside the square gate hall. now only the gate hall is left. except forthe west gate hall, the other nine gate halls have been turned into exhibitionrooms.
esoteric buddhism, also known as esoteric buddhism, originated in the latestage of the development of mahayana buddhism in ancient india, and has obviouscharacteristics compared with xianzong. 800 years after sakyamuni's death,buddhism was spanided into buddhism and buddhism. academia believes that esotericbuddhism is the product of the combination of mahayana and brahmanism after the7th century. it was introduced by indian master rinwatson in the early 8thcentury. he fought many times with bon witches in secret law. every time hedefeated some bon witches, he declared that some stupid god had been subdued andnamed him the protector of buddhism. the tantric buddha statue of tibetanbuddhism is unique, which is not only the precious wealth of religious art, butalso the treasure of human body statue art in the world. let's have a lookhere
apart from the modern clay statues, they are all originally preserved inthe temple, which is hard to see in other temples.
what are the differences between tantric buddhism and buddhism? there arethe following points: first, tantric buddhism takes sakyamuni as its leader andattaches great importance to theory, while tantric buddhism praises thetathagata and pays attention to matters; second, tantric buddhism advocatespreaching buddhism, meditation, enlightenment and self-cultivation, whiletantric buddhism attaches great importance to inheritance, truth and mantra inorder to become buddha; 3、 xianzong's classics mainly include scriptures, laws,precepts, and theories. in addition to tantric, there are eulogy, praise,dharma, mantra, rituals, yoga, and seal of contract. fourth, xianzong has fourkinds of prestige: walking, living, sitting, and lying. in addition to tantric,it also needs to contemplate, follow the teacher's instruction, abide by ritualsand practice procedures.
tantric cultivation can be spanided into four steps: shimi, xingmi, yoga miand supreme yoga mi. master zongkaba, the founder of the yellow religion,stipulated that the order of practice should be first obvious and then the living buddha who has obtained the degree of gexi in tibetan educationis qualified to practice esoteric buddhism, which is passed on by master vajraand practiced in the upper and lower esoteric schools. the practice of tantricbuddhism is accompanied by the imperial concubine ming. therefore, most of thetantric statues are double figures of men and women, which are called "joyfulbuddha" or "joyful heaven". each of these statues has a buddhist story orlegend, so they are three-dimensional fables of buddhism. because the joyfulbuddhas are all naked, they are men and women, so some people mistakenly thinkthat "joyful" refers to the sexual pleasure of men and women. in fact, these twowords mean fearless, angry spirit, transcending life and death, and gainingjoy.
(in the second exhibition room of tantric buddhism)
one of the most influential buddhist statues of tantric buddhism is thebronze "king kong of great power, virtue and terror" in the second exhibitionroom. he was a man and a woman, with nine sides, thirty-four hands and sixteenfeet. the nine faces represent the nine sutras of mahayana, the two hornssymbolize the two truths, the thirty-four hands with body, the thirty-sevenmeaning, the thirty-seven bodhi dharma, the sixteen feet symbolize the sixteenemptiness, and the combination of men and women symbolizes the great the left and right, eight feet step on eight things and eight birds,symbolizing "80% of the department" and "eight freedom". nudity and nirvanasymbolize "no dust". anger and uprightness symbolize "wonderful way". as for thejoyful buddha image, there are such legends in sibunayega dharma and japanesetantra of dongmi: the woman is the incarnation of guanyin bodhisattva. with herbeauty, she subdued the king who believed in brahmanism and made him theprotector of buddhism. this kind of saying is completely out of the secularattachment psychology. it is a difficult realm for ordinary people to reach todeeply study the essence of tantric cultivation. it is to break the ignorance,cultivate the good root and obtain the right consciousness. there is amysterious veil about the true meaning of tibetan secrets. no wonder we can'tunderstand it. however, the artistic charm of these superb human figures isamazing to every tourist.
also on display in the exhibition room are the prison master king kong,riding sheep to protect the dharma, joyful king kong, auspicious heavenlymother, shangle king buddha and so on. please enjoy it freely.
although pule temple is a lamaist temple, there is no lama in it, but it isguarded by eight banners. this is the place where the kazakh, uighur, kirgiz andother ethnic upper class people who come to the summer resort to worship theqing emperor pay homage and live.
dear friends, this is the end of the tour guide's explanation of puletemple. short time together, eternal memory, in your heart, my heart left a goodmemory. i remember a song like this: "when we surpass our dreams, we need toface them sincerely, let our life savor this moment, and let the years rememberthis time.".
dear friends, goodbye!
承德导游词简短 承德导游词1000字篇五
普宁寺系承德外八庙之一，是国务院确定的汉族地区佛教全国重点寺院。这里群山环抱，形胜优越，气候绝佳，山水兼有北雄南秀之美。清朝政府在这里兴建了皇家园林避暑山庄和外八庙佛教建筑群，在康熙、乾隆、嘉庆年间成为仅次於北京的全国第二个政治中心，它融汇了我国多民族的历史、文化、艺术和建筑，使承德成为一座以园林和寺庙著称的著名历史文化名城。外八庙修建於清康熙五十二年至乾隆四十五年(l7l3-l780年)，由溥仁寺、溥善寺、普乐寺、安远庙、普宁寺、普佑寺、须弥福寿之庙、普陀宗乘之庙、殊像寺、广安寺和罗汉堂等11座寺庙组成，这11座寺庙分外八处受北京雍和宫管辖，得名“外八庙”。其中以普宁寺最为完整、壮观。
普宁寺建於清乾隆二十至二十四年(1755-1759年)，占地面积33000平方米，是外八庙中较大的寺庙建筑群。当时清政府平定了厄鲁特蒙古准噶尔部达瓦齐的叛乱，在避暑山庄为厄鲁特四部上层贵族封爵，因他们信奉藏传佛教，故仿西藏三摩耶(又称桑耶寺)建制修建了普宁寺。淆政府希望边疆人民“安其居，乐其业，永永普宁”，取名“普宁寺”。
普宁寺建筑风格独特，它吸收并融合了汉地佛教寺院和藏传佛教寺院的建筑格局，南半部为汉地寺庙的“七堂伽蓝”式布局:中轴线上依次分布着山门、天王殿、大雄宝殿等殿堂;两侧为钟鼓楼和东西配殿，南北长150米，宽70米。北半部为藏式寺庙建筑:以大乘阁为中心，周围环列着许多藏式碉房建筑物——红台、白台以及四座白色喇嘛塔。
普宁寺正门，面阔五间，当中三间石刻拱门，象徵“三解脱门”(空门、无相门、无作门)。殿内供奉的两位天神即“哼哈二将”，是1986年修复时新塑的，高4.34米，木骨泥塑。手持金刚杵，裸露上身，衣缠腰际，瞠目作威猛状。左为密持金刚，右为那罗延金刚。碑亭为平面三间方型，重檐歇山顶，下檐单翘单昂，上檐单翘重昂，黄琉璃瓦绿剪边覆顶。亭内有三座碑，中间是《御制普宁寺碑文》，记载了兴建普宁寺原委和布局;左右为《御制平定准噶尔勒铭伊犁之碑》、《御制平定准噶尔後勒铭伊犁之碑》，记述清政府平定准噶尔部贵族达瓦齐.阿睦尔撒纳的叛乱，巩固西北边防的史实。这三座碑均为乾隆御笔，用满、汉、蒙、藏四种文书写成。钟楼平阔三间，两层楼阁，单檐歇山顶。内悬清朝雍正年间铜钟一尊，高2米，口径1.26米。每日清晨，喇嘛叩击108响，僧人开始上殿念经。佛教称这108声钟声可去108种烦恼，“闻钟声，烦恼清，智慧长，菩提生”。
大殿为重檐歇山顶，覆绿剪边黄琉璃瓦，正脊中央置一藏传佛教寺院建筑特有装饰铜质鎏金宝塔。屋脊、前後垂脊、岔脊头共有十个鸱吻，在建筑上可保护脊垄稳固、不渗水。檐角上各有七个栩栩如生的飞禽走兽像，它们各有其寓意。第一个是龙，能兴风作雨，是帝王象徵。第二个为凤，鸟中之王，指有圣德之人。第三个是狮子，为镇山之王，勇猛威严。第四个是天马，象徵皇帝威德畅达四方。第五个是海马，喻意皇帝威德可通天八海。第六个是狻猊，是一种能食虎豹的猛兽。第七个叫押鱼，为海中异兽，能灭火防灾。大殿正中供奉三世佛，中间是现世佛释迦牟尼，左边是前世佛燃燈，右边是未来佛弥勒，木雕金漆，金光闪烁，仪态庄严。两侧山墙石坛上排列十八罗汉像。北墙绘有八尊度母和胜乐十六天女图，栩栩如生，传神入画。屋顶绘有六字真言。
普宁寺後半部的藏式寺院建筑是模仿桑耶寺风格，通过建筑总体布局和个体造型来反映藏传佛教的世界观，把密宗的曼荼罗等清净佛国理想境界用具体建筑形象表现出来，使整个建筑具有象徵作用。“曼荼罗”的梵语，义为“轮集”，或译作“;轮坛”、“坛城”，是密宗僧侣修行时构筑的法坛，後演变为“圆轮俱足、诸佛集会”的圣坛。普宁寺的後半部就是根据佛经对宇宙的描述设计的。大乘之阁巍然屹立中间，代表须弥山，象徵世界中心，阁之东西则建有日殿和月殿，表示日月环绕宇宙世界运行，阁的四面有四座重层殿宇代表四大部洲:东胜神洲殿象徵风，起着长养万物的作用，形如半月，故建筑月牙形台殿;南瞻部殿象徵火，形为三角，起着促进万物成熟的作用，建成梯形台殿;西牛贺洲殿象徵水，摄受万物，建成椭圆形台殿;北俱卢洲象徵地，保护万物，建成正方形台殿。阁之四隅有四座宝塔，代表佛之“四智”:西北角的白色塔为“大圆境智”，能清楚地反映、认识世界万象;东北角黑色塔为“平等性智”，视世界万物平等无差别;东南角的红色塔为“妙观察智”，表示佛能明察善恶，妙观万法;西南角绿色塔为“成所作智”，表示信佛能成就自利和利他事业。大乘之阁五顶紧密连接，结成一个屋顶组群，四大部洲的台殿和日月殿是把藏式平顶建筑改变比例，作为基座，上建汉式木构建筑，而白台建筑则是藏族形式，这样使汉藏建筑巧妙结合，外形雄伟又具有园林配置，形成汉藏文化相互融合的风格独特的寺庙建筑。
大乘之阁内部分三层，在上下贯通的中部供奉着世界最大的木雕——千手千眼观世音菩萨像。这尊佛像高22.28米，腰围15米，重量达110顿，用松、柏、榆、椴、杉五种木材制成，约需120立方米木材。观音站在莲花座上双手合十，背後又生出40只手来，每只手上有一只眼隋，各持一件法器。造型庄严，慈颜善目，衣纹自然流畅，是宝贵的艺术珍品。
在千手千眼观音两旁是高达l4米的善才和龙女木雕塑像。大乘之阁的二楼供藏五方佛，三楼的迥廊上供奉三世佛和宝塔。阁内的墙壁均用万佛龛装饰，每个佛龛内部都有一尊金漆藏泥无量寿佛，共计一万零九十尊，整个殿堂装饰得金碧辉煌。
大乘之阁东侧还有妙严室，是乾隆皇帝进庙休息之所。西侧有讲经堂，是蒙古佛教首领章嘉国师和哲布尊丹巴呼图克图讲经场所。周围还有八栋共40间僧房，是上层佛教界人士驻锡之所和喇嘛僧房。据说在乾隆年间，普宁寺有喇嘛二百多人。
承德导游词简短 承德导游词1000字篇六
小布达拉宫就是普陀宗乘之庙，俗称小布达拉宫。在避暑山庄以北，“须弥福寿之庙”的西侧，是一座具有非凡艺术代价的寺庙构筑。全庙除主体大红台、懂得台等外，尚有四十多座各式百般的僧房佛殿白台和塔台，是承德外八庙中局限最大的一个，占地面积22万平方米，气魄宏伟，异常壮观。
该庙是仿西藏拉萨布达拉宫建筑的，“普陀宗乘”是藏语“布达拉”的汉译。庙依山制作，坐北朝南，山门内是碑阁，北是五塔门，高十余米，有拱门三个，上建红、黄、黑、白、绿五座喇嘛塔。门北是琉璃牌楼。牌楼北地形渐高，各式白台、塔台构筑因地形而散置，坎坷有别，变革多端。最后为宏伟高峻的主体构筑大红台。大红台的正面，下面是高达十八米的懂得台，其上矗立着高达二十五米的大红台。红台内附近为三层群楼，中央是重檐攒尖鎏金铜瓦项的“万法归一”殿。
清帝乾隆建筑这座局限雄伟的喇嘛古刹，是有其用意的。乾隆三十五年，是乾隆六十寿辰，乾隆三十六年是他母亲八十寿辰，蒙古族又虔信黄教(喇嘛教格鲁派)，借蒙古、青海、新疆等地少数民族的王公、部落长来承德为他祝寿之机，操作喇嘛教，举办绥抚。桑珠孜宗堡始建于1363年，是后藏日喀则地域最早的构筑之一，被称作“小布达拉宫”。布达拉宫扩建时，在形制友善势威风凛凛上受到桑珠孜宗堡影响。在承德市避暑山庄正北，始建于乾隆三十二年，是为庆贺乾隆的60大寿而建的，也是“外八庙”中局限最大的一座。其样式仿拉萨布达拉宫，气魄壮观，故又称为“小布达拉宫”。
乾隆三十六年，为乾隆帝六十寿辰和皇太后八十寿辰之年，边疆各少数民族的首领都要集承德，进行隆重的庆寿勾当，呈现了亘古未有的全百姓族大连合的排场。为了恭顺各族信奉，连合各族人民，乾隆帝御旨制作这座大型寺院。
其时，边疆各少数民族多半爱崇藏传释教。拉萨布达拉宫是藏传释教的一此中心。而藏传释教宣称布达拉宫为观世音菩萨的道场。观民音菩萨的道场听说有三处：一在印度，一在西藏，一在南海(浙江普陀山)。乾隆帝以为，观音发祥于印度，然后先到西藏为本土，以是在承建观音道场便"仿西藏，非仿南海"。普陀宗乘之庙是在汉族传统构筑的基本上融合藏族构筑特点制作的，它是汉藏构筑世术领悟的规范。
这座寺庙最大的特点就是其藏式构筑，庙内共有巨细构筑约60处，多是平顶白墙。主体构筑大红台是一座暗赤色的方形构筑，在周围白色楼宇的映衬下，很是抢眼。大红台中心的万法归一殿顶部所有被鎏金铜瓦所包围，仅此一项造价等于黄金万两，这里是进行重大的宗教典礼或清帝访问重要的少数民族部落首领及王公大臣们的场合。普陀宗乘之庙古木参天，情形寂静，还可在此远眺棒槌山，是外八庙中不行不游的一处。
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